Dandy & Rose

Bespoke Western Shirts, Handmade in England


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Sunshine in December

lagos-yellow-front

David’s shirt in Liberty’s paisley ‘Lagos Laurel’

It’s been a grim, foggy weekend, full of undone Christmas preparations, so I have been glad to have this sunny yellow paisley shirt to focus on.

The fabric is Liberty’s paisley ‘Lagos Laurel’. I seem to recall that is a 1930s print from the Liberty archive. They reintroduced it to the range in 2012 in honour of the London Olympics – see the little laurel wreath tucked in amongst the paisley motifs?

I have made several shirts in Lagos Laurel previously…

but I haven’t used this lovely, rich, buttery yellow before. And I don’t think I have used yellow snaps before either. What a joy!

lagos-yellow-back


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Meandering Me

me chrys right front with sleeve

standing around

 

I’m beyond excited to be going to Nashville next month. I can’t wait to see friends, hear music and get stuck into some PhD research.

For my trip, I have made myself a new Dandy & Rose shirt! Here I am, nonchalantly standing around in my own living room wearing it this afternoon.

I have used a favourite floral print of mine. It’s called Meandering Chrysanthemum – a seasonal Liberty print from a few seasons ago.

 

 

me chrys back yoke


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Walkin’ Nashville

Last time I was in Nashville, I decided to indulge in a little tourism. So I booked myself on the Walkin’ Nashville tour hosted by the journalist, musician and songwriter Bill DeMain. It was great fun and most informative! Bill is a real expert on the history of country music and puts his knowledge across with humour and warmth. We started at the statue of Chet Atkins on the corner of Fifth Avenue North and Union Street, where Bill began with the story of country’s fight-back against rock and roll in the late-1950s; in Printer’s Alley, we heard the tale of club owner Skull Schulman’s 1998 brutal murder, which took place there  – wait, was that the ghostly apparition of a tall, thin man in rhinestones we saw disappear around the corner?

skulls-Nudie-and-manuel-jackets-2

Skull Schulman posing with some of his collection of rhinestone encrusted embroidered suits by Nudie and Manuel. Skull loved poodles – and rainbows!

Moving on, we passed by the Country Music Hall of Fame and stopped to admire its architectural references to piano keys and musical notes; then, after stopping in the alley that many an Opry star must have slipped down on their furtive way there from the back door of the Ryman Auditorium, we ended at Tootsie’s Orchid Lounge on Broadway.

Bill on tour

Bill telling one of his Walkin’ Nashville groups the history of the Ryman Auditorium, home of the Grand Ole Opry from 1943 – 1974

 

whole front 2

 

vintage patterns for Bill-1

 

Bill is a connoisseur of vintage western shirts, so when he asked me to make for him, I suggested digging out one of my collection of vintage patterns. He picked out Simplicity 4703, from the early 1960s. And because it’s hot out there on the streets of Nashville, I shortened the sleeve and added a piped cuff to it.

 

He also asked for a western-themed print. Not my thing usually, but when I found this guitar print with western touches, I fell in love. I specially like the tiny cacti on the guitar headstocks.

Guitars back yoke

 

To find out more about Walkin’ Nashville Music City Legends Tour, go to Bill’s website.

http://www.walkinnashville.com/walkin-nashville-music-city-legends-tour

You might even get to see him in his Dandy & Rose shirt!

 

 

 


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Tulip Mania

Short Sleeved shirt in Liberty London's art nouveau Tulip print 'Ten Six' 7

Short Sleeved shirt in Liberty London’s art nouveau Tulip print ‘Ten Six’ back yoke

I was a little sad to see the tulips pass from my garden a couple of weeks ago. They are so exotic, with their  vibrant, polished petals and encompassing shape. No wonder that, when they were first introduced to Europe from the Islamic world in the sixteenth century, they were considered  precious objects of status. In the 1630s their value boomed so high that a phenomenon known as ‘tulipmania’ happened, with frenzied trading making many Dutch merchants enormously rich; when the ‘Tulip Bubble’ burst, they lost everything.

But anyway, never mind the history lesson. Here’s a shirt. It is made from an art nouveau style Liberty print representing tulips. It comes from last year’s Spring/Summer range, but it’s based on a furnishing design from the 1890s. So elegant.

Short Sleeved shirt in Liberty London's art nouveau Tulip print 'Ten Six' 6

Short Sleeved shirt in Liberty London’s art nouveau Tulip print ‘Ten Six’

It’s always difficult to decide what to do with a favourite print in a favourite colourway. Some red piping might have been nice, but I really wanted to see those tulips bending in the breeze, so I have gone with my first instinct – to cut the yokes on the bias.

Short Sleeved shirt in Liberty London's art nouveau Tulip print 'Ten Six' (2)

Short Sleeved shirt in Liberty London’s art nouveau Tulip print ‘Ten Six’

The shirt has short sleeves, which I have faced with plain pale blue fabric to match the leaves in the print. The pocket flaps are faced in the same fabric, but that will be the wearer’s secret till he lifts them to put something in his pocket. The topstitching is in the same pale blue colour. The pearl snaps are grey.

Short Sleeved shirt in Liberty London's art nouveau Tulip print 'Ten Six'

Short Sleeved shirt in Liberty London’s art nouveau Tulip print ‘Ten Six’

It has turned out so sharp and snappy, I just had to photograph it with that top pearl snap done up!


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Stevie’s dress

For a long time I’ve been thinking about adapting the Dandy & Rose style to make a shirtdress.
It was Stevie Freeman, co-owner of Lewes’ very special americana-themed shop, Union Music Store, who gave me the spur to get on and do it. Here’s Stevie posing inside her shop for The Observer earlier this year.

stevie in shop. jpeg

In my fabric store we found some dark blue polycotton chambray with a soft drape and a lovely sheen which was perfect for the job. Then Stevie picked out Liberty’s classic stawberry print ‘Mirabelle’ as the contrast yoke.

mirabelle

She wanted a truly western look, so I suggested piping the yoke. Later on, I couldn’t resist adding the collar and front band to the ‘to be piped’ list. I used Liberty’s plain cherry red lawn to make the piping – extravagant, but worth it to get that special colour, especially as it exactly matched the pearl snaps I had in stock.
I based the dress on McCall’s 6506 – perfect because it has a proper collar stand and button band, both essential for a western look.

M6506

I cut the yoke from one of my favourite vintage patterns, again by McCalls .

McCalls1297

But hey, I only made the dress. It’s Stevie who wears it with absolute yee haw!

stevie in dress


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Collars and bands

‘Patience is a virtue’ Grandma Beattie used to chant if I was restless, waiting for my mum to come and collect me. ‘…. possess it if you can. Seldom found in a woman, but never in a man.’

Not the most PC of sentiments, so we will pass over the gender stereotyping and just reflect on the patience required by the average seamstress. There are a lot of painstaking steps in shirtmaking, and collar application is one of the trickiest. Once the collar is on, I feel a shirt is really on its way.

Today I have been putting the collar onto my latest project, a gold-piped paisley.

The first step is to prepare the collar – I use a non-woven fusible interfacing in a medium weight. Once I have stitched the collar to its facing, I reinforce the corners with a second row of stitching. There’s nothing more irritating than making a perfect collar then having the corners fray out when you trim and turn it, and I find this reinforcement puts a stop to that.

Then I turn, press and topstitch the collar. I like to use this presser foot – it’s meant for embroidery stitches really, but it runs neatly along the edge of the fabric, and I de-centre the needle to get it 1/8 of an inch from the edge.

Once the collar is made, I attach the interfaced half of the collar band to the wrong side of the shirt. It’s really important that the first stitch is really accurately placed on the edge of the front band, because that will be my guide later… you’ll see. Then I turn over the shirt and pin the band facing to the other side. I turn it back to attach it, though, and use the previous stitching as a guide. Then check that everything has gone on smoothly and that there are no tucks in the shirt.

Now for the tricky bit. Holding the band and facing apart, I roll back the shirt front to tuck it out of the way of the seam I’m about to sew.

I pin the band and facing together and lower the needle to the exact point where the shirt front meets the collar band. Then I move it a millimetre to the left. If I don’t do this there will be a bobble where the band meets the front and that’s the kind of thing that keeps me awake at night. Then I sew a lovely curve to the point on the band where the collar will attach.

Turn it and press it, and now it’s time to attach the collar. I sew it to the interfaced part of the band, then trim the seam and corners.

pin collar on

I press the seam toward the shirt, then fold the uninterfaced part of the band towards the collar and tuck the seam allowance under, glue basting it over the seam. This special water soluble glue is a god send – it’s perfect for any edge that you need to be really crisp.

When everything is firmly held, I topstitch the lower edge of the collar band. Then in one action, I topstitch up one  edge of the shirt front, along the collar band and down the other side.

 

Et voila!

 

collar on


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Banjos and quarterhorses

Earlier today, a friend drew my attention to the shirt that the banjo whizz Jim Mills is wearing in this photo. She asked me if the pocket treatment has a special name.
It does! I got out one of my favourite books, ‘Western Shirts: A classic American Fashion’, written by Steven G Weil, grandson of Jack A. Weil, who founded the famous Rockmount western shirt brand. I love to browse this book, which I bought in the fantastic treasure trove that is the museum shop at The Aurty Center, Los Angeles, when I went there last year to research the archive of Nudie’s the Rodeo Tailor.
Rockmount claim all sorts of innovations on behalf of Jack A. – yokes, snaps, pocket flaps -they say he more or less invented the western shirt. He died aged 107 in 2008 and set up Rockmount Ranch Wear in 1946. He was certainly an early populariser and mass producer of the western style, but I’m not so sure on the invention thing… I’ll let you know if I ever track that down!
Anyway, Rockmount attribute this style of pocket flap, and the matching yoke, to Jack A, and the call it the ‘Quarterhorse’. The book shows a number of examples from the 1940s onwards – and they are still shirts with quarterhorse yokes and pocket flaps today.
I think Jim’s shirt is very stylish!
Photo by Tom Dunning http://www.bluegrasstoday.com


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Lucy Daisy

As you can see from these pictures, there are a lot of stages when it comes to making a shirt – but my favourite is when I see the finished item on a proud owner! Here is Amy Beth’s shirt, which arrived in Nashville, Tennessee yesterday after only 8 days in transit. She chose the fabric, Liberty’s tana lawn in their print ‘Lucy Daisy’, from the Liberty website. I paired it with cherry red lawn for the accents and blue-grey pearl snaps. I think she looks great!


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Kerry’s Flock

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One of the great things about making shirts to commission is that sometimes customers spot a fabric I’ve overlooked. This subtle, beautifully drawn, feathery beauty was spotted on the Liberty website by a customer in Australia. It’s called ‘Kerry’s Flock’. No idea why! She wanted a rounded yoke shape and a fitted style. We added lots of piping to give definition and brought out the yellow – it’s her favourite colour – with palest yellow pearl snaps. It’s winging its way to the other side of the world right now!